Tag Archives: Greek

Being Greek

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My skin is now tanned. My eyes carry a sadness around the corners, and I have the distinct feeling that I have trapped a breath in my chest, that I can’t seem to be able to breath out.
Last week, i had to visit my home country, as I needed to attend two funerals. I am Greek. I grew up in the hot, buzzing streets of Athens. People around me walked slow, talked fast, argued loudly and laughed louder. They gathered in the squares, with tea lights roped on the trees over them, the pavement cooling down under the night sky, children talking to each other, adults talking about each other, traditional music in the background for the older ones and foreign music in the foreground for the younger ones. Later we would go to the open-air cinema, eating a cheese-pie and coca cola from the can, reading the subtitles under the well groomed Hollywood faces.
I felt the sun kissing my face in the long summers, I run in the olive fields and dived in the crystal blue seas. I had this constant smell of sunscreen, and my skin was always salty, my hair always wet and my bathing suit always on. I would pick figs from the neighbour’s tree, and eat them under its shade. I smelt feta cheese roasting in the oven, fresh bread on the bakery windows, cheese and spinach pies resting on the kitchen counter.
Before mobile phones made me instantly available, my parents knew they could always find me in the city centre. I spent hours in Eleftheroudakis bookshop, walking down the isles, touching the spine of every book, eyes widening at the sight of unusual images, interesting titles, exotic covers. I would then make my way down to Metropolis, a CD and later DVD shop, and make countless wish-lists. I would walk down Monastiraki, Sintagma, Ermou, stopping in front of the shop windows, looking at the things in the shop, the people in the shop, the exchange of money for objects of desired happiness.
I don’t want to give an idea of false perfection. All of the above always happened behind a smoke screen, kindly provided by the 20pack of cigarettes of the person next to you. Compulsive smoking, innate judgement, and an unjustifiably rigid sense of morality. Anything that deviated from the norm has to be hidden; if not hidden, punished; and if not punished, at least humiliated. Men can (and often are encouraged to) cheat, personally and professionally, as long as they are white heterosexuals with an embedded sense of entitlement. Homosexuality is ridiculed and hidden, represented as a thinly tolerated anomaly that should be buried away from public view, varying from a moustache to a full blown wife and children.
The military is mandatory, meaning that you have to give a year of your life to stay in a camp in the far end corner of the country – unless your family has political connection, and can secure you an office position three blocks away from your semi-detached house. Indeed, family connections are everything: it is the only way to get a job, progress in it, make any kind of money and then hide it from the tax office. Tax evasion is a skin cell of the Greek epidermis; why do something right, when you can do it quick? What is the greater good if it’s not good for you?
The younger generation is sitting in the squares, having coffee and complaining about life. A small percentage will stay on the complains, and will not move into action. If you can stay at your parents home, file a few papers in their work place and have enough pocket money to pay you club entry, then why skip the sports pages for the Job classifieds? However, a big percentage is looking for jobs in their chosen field, with degrees from Greek and foreign Universities gathering dust in their bedroom drawers as they are knocking on doors that are locked and bolted. without a strong connection, a diploma is just worth as much as the paper that it is printed on. And then, if your parents can not really support you, what?
There is a small tinge of racism, especially towards Albanians, Pakistanis and Nigerians, economic refugees that are accused for stealing jobs from the Greeks; jobs that a lot of Greeks would consider beneath them, or too badly paid. Even so, extreme left parties have gained momentum, with a range of accusations against them.
All of these viewpoints are not shared by every Greek; but unfortunately, the overwhelming majority would nod acceptingly with most of the above, if not all. I don’t. I loved growing up in Greece, but once I did, I was unsure about how I felt in it. I did not really fit in all of the times, in most ways. Even though I was a piece of the puzzle, my edges seemed slightly different. I did not fit the profile, the macho tough bike-loving, sports-playing, cigarette in one hand and coffee on the other kind of person. And on top of that, I was not ashamed of who I was, of how different I was. I always smiled when people told me I needed to fit in; why be happy, when you can be normal?
And all that said, I still feel Greece as a beloved part of me. My home is London now, and I moved away physically and emotionally as well. My feelings for Greece is a bittersweet traditional desert, served in a crowded square, under tea lights and smoking bystanders.
So, every time that I tell someone I am Greek, I am telling him all of this in a simple statement of origin. I am telling him of my pride and my shame, of my good and bad memories, of the ups and lows. In the past couple of years, every time I tell a person I am Greek, I get a canned response that is bound to include the word crisis in it, when all i do is just state my origin.
Greece and Greeks are not just the poster boys of a country in a dire economic state. It is a nation that live its good as intensely as its bad, its happiness as tragically as its sadness, smiling at the face of danger, raising a glass to what was instead of what will be. Most of the places I described in my good memories are now closed, bankrupt and covered in angry graffitis. Most of the negative attitudes I mentioned are changing, sometimes for the better, sometimes for the worst. I walked in the city centre, and it was empty. The stores closed. Someone wrote on the window of a vacant store: a city that is burning; a flower that is blooming.
My tan will fade away, but I am not sure if my sadness for my country will. All I can do is hope, for change, for light, for the younger generation to have something more that a tanned skin to remember their country by.

Love,

G

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The Contents of an Artist’s mind: Hans-Peter Feldman at the Serpentine

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I am the exact opposite of a GPS. I have no sense of direction, whatsoever. If you put me in front of the London Eye, with a gigantic neon arrow pointing at it, and ask me to lead you there, we will end up having tea and scones in Manchester. If we were in a scary movie, I would be the one that looks at the map for a couple of seconds, and then point to the dark, menacing looking road, saying ‘this is the way’, much to the dismay of the rest of the group.
So,all this might explain why I am finding myself in the middle of green fields, with dirt on my new shoes, a broken umbrella and a soaked coat. I am looking at the battery falling down to 2% on my iPhone, and the Google Maps holding onto the screen for dear life as they tell me to go left; and then the program closes; the iPhone shuts down. I look around. I am screwed.
Granted, I am only in the middle of Hyde Park, so I can find my way out easy enough (I think). But I don’t want to. I came here on a mission, and I will achieve it. So, relying on the signage and the kindness of strangers, I was directed towards my destination. 20 minutes later, I was entering the Serpentine Gallery with a dramatic sigh, dripping, eyes wide open.

Famous for its eclectic exhibitions and clever use of space, the Serpentine Gallery is like a small oasis in the middle of Hyde Park. It has a truly rich array of events, a great architecture and education schedule, and a bookshop that is responsible for a sharp decrease in my bank account.

I kept repeating to myself ‘eyes on the prize’, so upon entering, I made my way straight through to the exhibition. Inside, you can not help but feel that you are in a Charlie Kauffman movie; you are stuck inside the mind of an artist, exploring his memories in the corridors, his feelings in the well lit room, his fears in the dark ones. The exhibition, a selection of Hans-Peter Feldmann’s body of work, takes over the main gallery space, and is hosting some of his most famous pieces next to brand new work.

Satirical, often humorous, poignantly dreamy and always humane, his work is an observational masterpiece. He maintains the child-like fascination of presenting the everyday as unique, and the trivial as extraordinary. Feldmann strives to see the world in different ways, from different angles and different eyes; from the picture of a woman waving goodbye, attached to a mechanical device that simulates the movement, to a giant poster of bookcases filled with books that will never be read. His work includes flower pots propped on the wall, two plastic sculptures of fluorescent Greek figures and chiaroscuro portraits of dignified cross-eyed sitters and Victorian ladies with clown noses.

You can find raw beauty in between the humorous exhibits. In Sparrow Play, a little girl is touching the cut out silhouette of someone that was there but is no more, something only she could see at that moment in time, invisible to us, no other trace but the shadow that was left on the black and white pavement. You can find social comments, from the use of photography as a commercial avenue, to the commercialised needs that shape our daily lives. He seems to be testing the boundaries of art, graphic design, concept and creation with every single work he exhibits.

I also loved the way Feldmann seemed to be cataloguing and compartmentalising events, like All the Clothes of a Woman, where he has taken portraits of the clothing found in a woman’s wardrobe; the same with the Contents of a Woman’s Bag. His observational work includes a cluster of pictures of car radios playing good music, a photographic catalogue of a pound of strawberries, and a group of pictures of lips. These collections of moments have a rather subtle but profound effect, creating the illusion of a familiar viewing, when you have never seen or experienced what is depicted.

There is however a show stopping moment; entering the dark world of Shadow Play, the first thing you see is a long table, with a collection of strange everyday items arranged on the table. However, it is not the items themselves that are strange; it is the way they are placed, how they are out of place, out of context, creating a new context, creating a different reality. The objects are moving, aided by a number of electrical devices, and lit by lamps that are housed in metal tins. And then your eye follows the light through the objects to the wall. And you can not help but gasp. On the wall, a new scene is created, a choreography of shadows shows a world that is not there, but is there nonetheless. It is beautiful. You sit down, and you stare at it, and you feel that you are witnessing a moment of pure beauty, a moment that reminds you how simple things, light and shadow, can mix and make magic.
On the way out, I visit the shop, and buy the exhibition catalogue. With a lighter heart and bank account, I step out, in the rain, and look to my left; then to my right. I am not sure which way I am supposed to go; but you know what? I feel like exploring.

Love,

G

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All I Ever Wanted Was The World

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I first heard Marina and the Diamonds 2 years ago. It was 2 months after I decided to stop my Doctorate, and turn it into an MSc. That meant that within the few seconds that it took to finish the sentence ‘I can not do this anymore’, my life was already upside down. I was not a student anymore. I would not be staying in student halls, or get any financial help. I had to grow up. I had to find a house. And a job. I had to pack my room, and find a moving van. I had to find boxes. God, how much stuff did I have? Where can I find boxes? Where will I stay? What will I do? Who am I?

I decided to stay with my partner and two friends. I found a job in retail, worked from morning to evening, payed tax, ate beans on toast and started perfecting the ‘everything is fine’ smile. People willed their face into a mask of worry, asking me if I felt I made the right choice, giving up on something that was certain to chase something that was not even there. For them, I was like the runner that had a clear path in front of him, but suddenly started running left, towards the dark forrest. For the first time, things were so unclear, and this secretly terrified me.

One night, I was sitting in my room, after a particularly difficult day at work, and I was staring at my computer screen, scrolling down YouTube for new music. And then I see this video, with a girl covered in black paint, looking like she escaped from a demented 80s clip. I had to click on it. The music started, and looked at the screen mesmerised. And then she started singing, and her voice went through me like a sword. I recognised something in it, something in me, a familiar stranger that I never thought I would see again. The song was I am not a Robot, and the artist was Marina and the Diamonds.

Marina’s voice hits you like a truck, strong, forceful, taking the listener over from the inside. It’s like a small explosion, like feeling your ribcage getting smaller or your heart growing larger, and then a warm kind of tension washing over your limbs, and making you feel, making you feel real, making you feel real emotions that you thought you held back, but were there all the time, hidden, waiting like the flood behind the locked door.

Her voice is embellished with pain and deepness, the kind of detachment that comes from looking inwards, from being half there or completely and intensely immerse. Her voice carries the quality of the Greek Laiki Phoni, which roughly translates as everyday people’s voice. If I had to close my eyes and imagine her as an ancient Greek character, I would have thought Cassandra. Her voice is the mixture of knowledge and resignation. She knows that something terrible is happening, but will not try to change her fate. She will live to remember her mistakes, unable to stop herself from making them.

Her first album, the Family Jewels is one of my favourite albums of all times. It touches subjects that are so raw and rough, unattractive traits of attractive people, the need to belong and the resentment for the consequences. Destroying your soul in the quest to be the best; the loneliness that comes with it; the knowledge that you will never be satisfied. Songs like Obsessions, Hollywood, Numb, Hermit the Frog, were all masterpieces in their own right, with completely unusual sounds, and lyrics that reached bone-deep.

A lot has been written about the time that passed between the two albums. Social Media posts brought speculations about Marina’s feelings, thoughts, emotions, career and wellbeing. However, I was never certain why this was such a hot topic. Everyone wants to be successful and be recognised for their work. The extent of that recognition has different ranges for different individuals. Marina was singing for that need, for that trait that she observed in others and herself. So, why were her concerned critics surprised escapes me. Regardless, she addressed them, and moved on to the release of Electra Heart.

Electra Heart is decidedly a different sound. With the vehicle of a persona, Marina explores familiar topics in unfamiliar ways. In my head, the record is broken in two parts:
The first half is full with fast beats (Bubblegum Bitch), catchy tunes (Homewrecker, Power and Control), hearty melancholy (Lies, Starring Role, Living Dead,) and can’t get this song out of my head verses (Primadonna has been the background to my thoughts for the past two weeks). However, it is not necessarily in line with the Family Jewels. It sounds super polished and studied, containing all the secrets of commercial success in the space of 3 minutes. This is not a bad thing, it is actually quite clever. Because these are the songs that will bring the attention to the record, where people can be exposed to the second half.

The second part is closer to The Jewels record. Teen Idle echoes Obsessions and Numb, dripping with a heart-breaking tangible teen angst that hits all the right notes in an effortless and natural way. I challenge you to listen to Valley of the Dolls without hitting the replay button, or not engage in an absent minded dance to the infectious rhythms of Sex Yeah and Lonely Hearts Club; and most importantly, you will not be able to ignore the goosebumps from listening to Buy the Stars, one of my favourite Marina songs so far.

I would genuinely suggest downloading Electra Heart, and if you don’t have the Family Jewels, then make sure you hear it too. Marina has been on the background of many important moments in my life, and this made her really special to me. Her music helped me at times that silence wouldn’t, and her lyrics helped me understand parts of myself that I couldn’t, or didn’t want to understand.

I will leave you with one of my favourite part of Electra Heart:

All my life I’ve been so lonely/ All in the name of being holy/ Still, you’d like to think you own me; You keep buying stars/ You could buy up all the stars/ But it wouldn’t change who you are/You’re still living life in the dark/ It’s just who you are/ It’s just who you are
You bought a star in the sky tonight/ And in your man-made dark/ The light inside you died/it’s just who you are.

Love,

G

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Name Day

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When I get up in the morning, I usually turn the TV on, fill the kettle up, and look out of the kitchen window. Invariably, One Tree Hill will be on, and I will allow myself to be sucked in the watery eyes of the characters, with the relief of living someone else’s drama instead of your own. In yesterday’s episode, one of the main characters forgot their own birthday, and everyone around them seemed to have forgotten too. I was sipping on my hot water with lemon, wondering how one could forget such an important day, asking myself how could screenwriters get paid to get away with such far-fetched daily facts.
Today I woke up from a call on my phone, turning around, letting it go to voicemail. Then I received a text. Then another. I opened my eyes, with a frown forming between my brows, wondering what happened so early in the morning. I stood up, walked to the dresser where I charge my phone and looked at the screen. ‘Happy Name Dayyyyy!!‘ it flashed for a second, and then went black. I had forgotten my own name day.
Now, let me explain what a name day is. In Greece, most names correspond to a Saint’s name. In the months, certain Saints have days of celebration, and if a town or village has this Saint as a patron, then there is a big celebration there; accordingly, if you are named after this Saint, it is your celebration as well. You have to treat people with sweets, and in return they give you cards, gifts, and even throw you a party. It’s like a second birthday. And I forgot mine.
For some reason I felt a bit dizzy. I put the phone down, backtracked, and went back to bed. I looked at the ceiling for a couple of minutes, then got up, turned the TV on, filled the kettle and looked out of the kitchen window. In today’s episode, a character found out she got pregnant. I wondered if I needed to pop by Tesco, and get a Clear Blue pregnancy test. Obviously, things are never too far fetched.
My phone rang twice that hour. I first spoke to my dad. He gave me his and my family’s wishes, chatted about everyday things, plans for meeting up, arranging to come by. I have not seen him for about a year, not since I last went to Greece. There was something very soothing and very sad in his voice. I found myself clutching my chest when we spoke, and I realised how much I miss him. I then talked to my mum; she gave me her wishes, made our classic jokes, asked me if I am eating well, if my brother called yet, and if I am happy. She then asked me if I remembered the times that we would make a desert for my name day. And I did. And it brought memories of our old house, and the archaic mixer, and the two teaspoons of brandy that magically turned into half the bottle, and the giggling and the smells, and the floor tiles, and the plastic plates, and the smiles, and the morning after where I would sneak to the fridge and grab a fork and eat the rest of it before she got up, when she was actually sitting in her room waiting for me to finish. And all the memories pushed the back of my eyes with tears, and I had to come to the here and now, and control my voice, and not show how much I missed her.
When we hang up, I sat on the sofa. My tea was lukewarm, and I tried to understand why it bothered me so much that I forgot. The past few weeks have been very hectic; they are very close to a merry-go-round, where you spin and spin and spin and spin, but essentially you remain in the same place, just with weak feet and blurry vision. April seemed to be a month of decisions, leaps of faith, amends, and new beginnings.
I guess the reason it bothered me so much was my fear that I am letting go of important parts of my identity; of forgetting my roots. I always had my Greek friends reminding me of any upcoming name days, birthdays, celebrations. I would see it in the news, read it in the papers, hear it in the street. I am now living in London for the last 5 years, and it has played such a big part in shaping me into the person I am. I feel at home, in ways I never did, and never could, in Athens. I consider London my home now, and I am making a life and a living here. But I would not like to lose the parts of the Greek identity I have come to love. And I think that forgetting my name day made me fear that this is happening. I worried that I allowed all the April drama to suck me in so much that I became a character in my own One Tree Hill. I realised how important it was to realise it. I understood how important it was to act on it.
I got up, wore my running shoes and rushed outside. It was pouring with rain, and minutes later I was sprinting down the street. My chest was tightening, and I found myself pushing harder, running faster, my shins stinging, the rain kissing my face, my hands moving faster, until my whole body got so tense that it had no option but to relax. An hour later, I was in the shower, the hot water washing away all the stiffness that was there 60 minutes earlier.
I got out in time to answer my phone, and it was my partner with plans for the evening. My email inbox notified me of all the well-wishers on Facebook. I looked outside. Even if I did not remember, others did.
I had some more tea, and indulged in some of my favourite chocolate. I looked out of the window, at the rain, at the people. I am now at Costa, having a lemon and poppyseed muffin, and a Roasted Hazelnut Latte. I am looking out of the window, at the rain, at the people.
Happy name day to me.

Love,

G

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